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Sound Sources
| Label | Inventory | Track | Order | Class | Number | Work | Movement | Date | Format | |
|---|---|---|---|---|---|---|---|---|---|---|
| Columbia | ML-4096 | B01 | Tchaikovsky | Orchester | Opus 23 | Klavierkonzert 01 (Фортепианный концерт № 1) b-moll | 002 | 1947-12 | 33⅓rpm |  |
| Columbia | ML-4096 | B02 | Tchaikovsky | Orchester | Opus 23 | Klavierkonzert 01 (Фортепианный концерт № 1) b-moll | 003 | 1947-12 | 33⅓rpm | |
| Columbia | ML-4096 | A01 | Tchaikovsky | Orchester | Opus 23 | Klavierkonzert 01 (Фортепианный концерт № 1) b-moll | 001 | 1947-12 | 33⅓rpm | |
| Columbia | ML-4371 | B01 | Beethoven | Konzerte | Opus 061A | Violinkonzert D-Dur | 002 | 1950-11 | 33⅓rpm | |
| Columbia | ML-4371 | B02 | Beethoven | Konzerte | Opus 061A | Violinkonzert D-Dur | 003 | 1950-11 | 33⅓rpm | |
| Columbia | ML-4371 | A01 | Beethoven | Konzerte | Opus 061A | Violinkonzert D-Dur | 001 | 1950-11 | 33⅓rpm | |
| Columbia | ML-5206 | A01 | Rossini | Opére | KF 1.39 | Guillaume Tell | 1954-05 | 33⅓rpm | |
|
| Columbia | ML-5206 | B02 | Thomas | Opéras | Mignon | 1954-05 | 33⅓rpm | |
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| Columbia | ML-5206 | A02 | Offenbach | Opern | Orphée aux Enfers | 1954-05 | 33⅓rpm | |
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| Columbia | ML-5206 | B03 | Suppé | Oper | Die schöne Galathée | 1954-05 | 33⅓rpm | |
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| Columbia | ML-5206 | B01 | Smetana | Bühnen | JB 01:100 | Prodaná nevěsta | 1954-05 | 33⅓rpm | |
|
| Columbia | ML-5261 | A01 | Smetana | Orchester | JB 01:112 | Má vlast | 002 | 1956-01 | 33⅓rpm | |
| Columbia | ML-5261 | B02 | Berlioz | Opéra | H 111 | La Damnation de Faust | 1956-01 | 33⅓rpm | |
|
| Columbia | ML-5261 | A02 | Weber | Klavier | J 260 | Aufforderung zum Tanze [Rondo brillant] für das Piano-Forte | 1956-01 | 33⅓rpm | |
|
| Columbia | ML-5261 | B03 | Berlioz | Opéra | H 111 | La Damnation de Faust | 1956-01 | 33⅓rpm | |
|
| Columbia | ML-5261 | B01 | Liszt | Orchester | S. 110/2 | Mephisto-Walzer 1 | 1956-01 | 33⅓rpm | |
|
| Columbia | ML-5261 | B04 | Berlioz | Opéra | H 111 | La Damnation de Faust | 1956-01 | 33⅓rpm | |
|
| Columbia | ML-5168 | A03 | Schumann | Konzerte | Opus 054 | Klavierkonzert a-moll | 03 | 1956-12 | 33⅓rpm | |
| Columbia | ML-5168 | A01 | Schumann | Konzerte | Opus 054 | Klavierkonzert a-moll | 01 | 1956-12 | 33⅓rpm | |
| Columbia | ML-5168 | B01 | Strauss, R. | Orchester | TrV 145 | Burleske d-moll | 1956-12 | 33⅓rpm | |
|
| Columbia | ML-5168 | A02 | Schumann | Konzerte | Opus 054 | Klavierkonzert a-moll | 02 | 1956-12 | 33⅓rpm | |
| Columbia | ML-5087 | A04 | Bach | Orchester | BWV 1041 | Konzert a-moll für Violine | 01 | 1956 | 33⅓rpm | |
| Columbia | ML-5087 | B01 | Bach | Orchester | BWV 1042 | Konzert E-dur für Violine | 01 | 1956 | 33⅓rpm | |
| Columbia | ML-5087 | A02 | Vivaldi | Fa20.01 | RV 522 | Concerto a-moll | 02 | 1956 | 33⅓rpm | |
| Columbia | ML-5087 | A05 | Bach | Orchester | BWV 1041 | Konzert a-moll für Violine | 02 | 1956 | 33⅓rpm | |
| Columbia | ML-5087 | B02 | Bach | Orchester | BWV 1042 | Konzert E-dur für Violine | 02 | 1956 | 33⅓rpm | |
| Columbia | ML-5087 | A03 | Vivaldi | Fa20.01 | RV 522 | Concerto a-moll | 03 | 1956 | 33⅓rpm | |
| Columbia | ML-5087 | A06 | Bach | Orchester | BWV 1041 | Konzert a-moll für Violine | 03 | 1956 | 33⅓rpm | |
| Columbia | ML-5087 | A01 | Vivaldi | Fa20.01 | RV 522 | Concerto a-moll | 01 | 1956 | 33⅓rpm | |
| Columbia | ML-5087 | B03 | Bach | Orchester | BWV 1042 | Konzert E-dur für Violine | 03 | 1956 | 33⅓rpm | |
| Columbia | MS-6061 | B01 | Haydn | Symphonien | Hob.I:104 | Symphonie 104 D-Dur Sinfonia Concertante | 001 | 1957-12 | 33⅓rpm | |
| Columbia | MS-6061 | A02 | Mozart? | Konzerte | KV6 297b | Sinfonia concertante | 002 | 1957-12 | 33⅓rpm | |
| Columbia | MS-6061 | B02 | Haydn | Symphonien | Hob.I:104 | Symphonie 104 D-Dur Sinfonia Concertante | 002 | 1957-12 | 33⅓rpm | |
| Columbia | MS-6061 | A03 | Mozart? | Konzerte | KV6 297b | Sinfonia concertante | 003 | 1957-12 | 33⅓rpm | |
| Columbia | MS-6061 | B03 | Haydn | Symphonien | Hob.I:104 | Symphonie 104 D-Dur Sinfonia Concertante | 003 | 1957-12 | 33⅓rpm | |
| Columbia | MS-6061 | A01 | Mozart? | Konzerte | KV6 297b | Sinfonia concertante | 001 | 1957-12 | 33⅓rpm | |
| Columbia | ML-5257 | A03 | Tchaikovsky | Orchester | Opus 71a | Casse-noisette (Щелкунчик) B-Dur | 03 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | B02 | Grieg | Orchester | Opus 046 | Peer Gynt suite nr. 1 | 02 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | A06 | Tchaikovsky | Orchester | Opus 71a | Casse-noisette (Щелкунчик) B-Dur | 06 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | B05 | Ravel | Ballet | M.81 | Boléro | 1958 | 33⅓rpm | |
|
| Columbia | ML-5257 | A01 | Tchaikovsky | Orchester | Opus 71a | Casse-noisette (Щелкунчик) B-Dur | 01 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | A09 | Debussy | Voix | L 032 | Clair de lune: Votre âme est un paysage choisi | 1958 | 33⅓rpm | |
|
| Columbia | ML-5257 | A04 | Tchaikovsky | Orchester | Opus 71a | Casse-noisette (Щелкунчик) B-Dur | 04 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | B03 | Grieg | Orchester | Opus 046 | Peer Gynt suite nr. 1 | 03 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | A07 | Tchaikovsky | Orchester | Opus 71a | Casse-noisette (Щелкунчик) B-Dur | 07 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | A02 | Tchaikovsky | Orchester | Opus 71a | Casse-noisette (Щелкунчик) B-Dur | 02 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | B01 | Grieg | Orchester | Opus 046 | Peer Gynt suite nr. 1 | 01 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | A05 | Tchaikovsky | Orchester | Opus 71a | Casse-noisette (Щелкунчик) B-Dur | 05 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | B04 | Grieg | Orchester | Opus 046 | Peer Gynt suite nr. 1 | 04 | 1958 | 33⅓rpm | |
| Columbia | ML-5257 | A08 | Tchaikovsky | Orchester | Opus 71a | Casse-noisette (Щелкунчик) B-Dur | 08 | 1958 | 33⅓rpm | |
| Columbia | ML-5456 | B02 | Mendelssohn | Orchester | MWV O 011 | Klavierkonzert 02 d-moll | 002 | 1959-12 | 33⅓rpm | |
| Columbia | ML-5456 | A03 | Mendelssohn | Orchester | MWV O 007 | Klavierkonzert 01 g-moll | 003 | 1959-12 | 33⅓rpm | |
| Columbia | ML-5456 | B03 | Mendelssohn | Orchester | MWV O 011 | Klavierkonzert 02 d-moll | 003 | 1959-12 | 33⅓rpm | |
| Columbia | ML-5456 | A01 | Mendelssohn | Orchester | MWV O 007 | Klavierkonzert 01 g-moll | 001 | 1959-12 | 33⅓rpm | |
| Columbia | ML-5456 | B01 | Mendelssohn | Orchester | MWV O 011 | Klavierkonzert 02 d-moll | 001 | 1959-12 | 33⅓rpm | |
| Columbia | ML-5456 | A02 | Mendelssohn | Orchester | MWV O 007 | Klavierkonzert 01 g-moll | 002 | 1959-12 | 33⅓rpm | |
| Columbia | MS-6077 | A03 | Ravel | Ballet | M.57 | Daphnis et Chloé | 02 | 1959 | 33⅓rpm | |
| Columbia | MS-6077 | B02 | Debussy | Orchestre | L 109 | La Mer | 02 | 1959 | 33⅓rpm | |
| Columbia | MS-6077 | A01 | Debussy | Orchestre | L 086 | Prélude à l'après-midi d'un faune | 1959 | 33⅓rpm | |
|
| Columbia | MS-6077 | A04 | Ravel | Ballet | M.57 | Daphnis et Chloé | 03 | 1959 | 33⅓rpm | |
| Columbia | MS-6077 | B03 | Debussy | Orchestre | L 109 | La Mer | 03 | 1959 | 33⅓rpm | |
| Columbia | MS-6077 | A02 | Ravel | Ballet | M.57 | Daphnis et Chloé | 01 | 1959 | 33⅓rpm | |
| Columbia | MS-6077 | B01 | Debussy | Orchestre | L 109 | La Mer | 01 | 1959 | 33⅓rpm | |
| Columbia | MS-6095 | A04 | Händel | Suiten | HWV 351 | Music for the Royal Fireworks | 04 | 1960 | 33⅓rpm | |
| Columbia | MS-6095 | A07 | Corelli | Sonate | Opus 05/11 | Sonata a due per violino e basso continuo E-Dur | 1960 | 33⅓rpm | |
|
| Columbia | MS-6095 | A02 | Händel | Suiten | HWV 351 | Music for the Royal Fireworks | 02 | 1960 | 33⅓rpm | |
| Columbia | MS-6095 | A05 | Corelli | Sonate | Opus 05/07 | Sonata a due per violino e basso continuo d-moll | 1960 | 33⅓rpm | |
|
| Columbia | MS-6095 | A03 | Händel | Suiten | HWV 351 | Music for the Royal Fireworks | 03 | 1960 | 33⅓rpm | |
| Columbia | MS-6095 | A06 | Corelli | Sonate | Opus 05/09 | Sonata a due per violino e basso continuo A-Dur | 1960 | 33⅓rpm | |
|
| Columbia | MS-6095 | A01 | Händel | Suiten | HWV 351 | Music for the Royal Fireworks | 01 | 1960 | 33⅓rpm | |
| Columbia | MS-6252 | B01 | Chopin | Orchestre | Opus 11 | Concerto 01 e-moll | 03 | 1961 | 33⅓rpm | |
| Columbia | MS-6252 | A01 | Chopin | Orchestre | Opus 11 | Concerto 01 e-moll | 01 | 1961 | 33⅓rpm | |
| Columbia | MS-6252 | B02 | Liszt | Orchester | S. 126 | Totentanz | 1961 | 33⅓rpm | |
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| Columbia | MS-6252 | A02 | Chopin | Orchestre | Opus 11 | Concerto 01 e-moll | 02 | 1961 | 33⅓rpm | |
| Columbia | MS-6495 | A01 | Mozart | Konzerte | KV 242 | Klavierkonzert 07 [Konzert für drei Klaviere] (Lodron-Konzert) | 001 | 1962-12 | 33⅓rpm | |
| Columbia | MS-6495 | B01 | Bach | Orchester | BWV 1063 | Konzert 1 für drei Cembali (Bearbeitung) | 001 | 1962-12 | 33⅓rpm | |
| Columbia | MS-6495 | A02 | Mozart | Konzerte | KV 242 | Klavierkonzert 07 [Konzert für drei Klaviere] (Lodron-Konzert) | 002 | 1962-12 | 33⅓rpm | |
| Columbia | MS-6495 | B02 | Bach | Orchester | BWV 1063 | Konzert 1 für drei Cembali (Bearbeitung) | 002 | 1962-12 | 33⅓rpm | |
| Columbia | MS-6495 | A03 | Mozart | Konzerte | KV 242 | Klavierkonzert 07 [Konzert für drei Klaviere] (Lodron-Konzert) | 003 | 1962-12 | 33⅓rpm | |
| Columbia | MS-6495 | B03 | Bach | Orchester | BWV 1063 | Konzert 1 für drei Cembali (Bearbeitung) | 003 | 1962-12 | 33⅓rpm | |